Then, I’ll head to the Layers Panel and click the Layer Mask icon at the bottom to add a layer mask, removing the background from the image and leaving the subject. Īfter a moment, Photoshop will automatically select my subject. In the Options Bar, I’ll choose Select Subject.
Step 1: Remove The Background From The Subject Imageįirst, I’ll cut out the subject of the first image using the Object Selection Tool (W). You can use this same method whenever you want the colors in two separate layers to match better. For this example, I’ll place a cut-out of the subject from one image into the background of another image, then match the colors so that the final image appears more realistic. This is the best method to use when combining multiple images into one. How To Match Colors Between Layers In Photoshop In this guide, I’ll show you two easy ways to do this: using the Match Color adjustment or manually filling an area with a new color. But photo technology gets more impressive every year and I imagine that AI eye-swapping will eventually get the kinks worked out.Whenever you are placing a subject against a new background or creating composite images in Photoshop, learning how to blend and match colors is an essential skill. So, we photographers will have to stick with our tried-and-true eye swaps in Photoshop for now. The process works by using eyes from other people’s photos to automatically fix the one you’re working on.Īs of now, the results are still somewhat Frankenstein-esque. There are rumors flying around the Internet of editing programs using AI to open people’s eyes. To copy pixels from one image to another, simply set the source using the open eye picture and switch over the to closed eye picture to paint. But if you need more precision, you can use this method. In my opinion, the other methods are easier and faster and will work in most situations. If you want full control, you can use the Clone Stamp Tool to copy over the pixels. I’m going to use this image I downloaded from.
Once you have your two images, let’s open them in Photoshop. It’s harder to get the right angle and lighting, but not impossible. On the rare occasion that doesn’t happen, I may have to take their eyes from another image somewhere else in the shoot. My main concern is that everybody looks good in at least one. I’m not worried about them all looking great in the same picture (though that’s ideal). When I am photographing large groups, I always take several shots. There are a few ways to perform an eye swap, but for all of them, you need an image of the person with their eyes open.
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